在诗集《乡土与人生的恋歌》中,诗人峻冰以远方游子对乡土如烈酒般浓烈醇厚的情思为整部诗集之灵魂,为人们勾勒出皖北大地上一个普通村庄的剪影。但细读诗歌后可以发现,诗人不仅仅勾勒出一个轮廓,更以红、白、黑这三种饱含象征意味的色彩为颜料填充,使一幅幅色彩斑斓的乡村图景跃然纸上。至此,普通的村庄不再普通,它荡溢着史诗般神圣厚重的意味。 In the poem “Love Song of Local Land and Life”, poet Jun Bing interpreted the out-of-ordinary village silhouette on the earth in northern Anhui as the soul of the poetry anthology of the far-away wanderer on the local mellow liquor. However, after reading the poem, you can see that the poet not only sketched out an outline, but also filled the three symbolic colors of red, white and black with pigments to make colorful rural scenes vivid. At this point, the ordinary village is no longer ordinary, it overflows the epic sacred heavy meaning.