概念,作为反映客观事物本质的一种理性认识,当然是无可非议的。但文艺作品的概念化,则是有害的。它是用社会科学的概念来代替文艺创作中的形象思维。概念化一个最突出的特点,是“主题先行”。多年来,阶级斗争、路线斗争、思想斗争成了法定的主题。作品不是作者从生活中观察、体验、分析、研究概括出来的,而是根据某种政治需要,某一政治观点生编硬凑的。有的作者没有生活素材,闭门造车,按照既定的主题编织故事、设计人物,然后依照事物发展的一般规律,安排情节,开展矛盾冲突。在这里,矛盾 The concept, as a kind of rational understanding of the nature of objective things, is, of course, beyond reproach. However, the conceptualization of literary and artistic works is harmful. It is the concept of social science to replace the image of thinking in literary and artistic creation. One of the most prominent features of conceptualization is the “theme first.” For many years, the class struggle, the line struggle and the ideological struggle became the legal subjects. The work is not the author’s observation, experience, analysis and study in life, but is summarized according to a certain political need and political viewpoint. Some writers do not have material for living behind closed doors, weave stories and design figures according to established themes, and then follow the general rules of things to arrange plots and carry out contradictions and conflicts. Here, conflicts