论文部分内容阅读
清末民初,“民主”与“科学”思想在中国得到广泛传播。特定历史条件下,革命歌曲作为特殊时代的特殊产物,深受人们喜爱。这些歌曲在20世纪30年代唤醒了无产阶级自由、改革的意识,封建思想在某种程度上被打破。聂耳在这种复杂的历史环境下,不仅创作了一批群众喜闻乐见的革命歌曲,而且还创作出一系列女性题材的抒情歌曲,如《梅娘曲》、《塞外村女》、《铁蹄下的歌女》等。通过这些歌曲,他以独特的视角关注了那个时代处于弱势的女性群体,在他创作的抒情歌曲中的女性形象不再是传统的、思想保守的旧社会的妇女性格特征,而是在新革命时代下勇敢、坚毅、不向命运屈服的崭新的新时代女性形象。本文通过对聂耳的抒情歌曲《梅娘曲》的分析来论述如何通过演唱塑造这一独特的女性形象。
At the end of the Qing Dynasty and the beginning of the Republic of China, the ideas of “democracy” and “science” were widely disseminated in China. Under certain historical conditions, revolutionary songs as a special product of a special era, deeply loved by people. These songs aroused the awareness of proletarian freedom and reform in the 1930s, and feudalism was somewhat broken. Nie Er in this complex historical environment, not only created a number of revolutionary songs loved by the masses, but also created a series of lyrical songs of female themes, such as “Mei Niang”, “outside the village”, “ Song girl ”and so on. Through these songs, he has paid special attention to the disadvantaged groups of women in that era. The female images in his lyric songs are no longer the traits of the women in the traditional and conservative society, but in the new revolution Under the age of brave, resolute, do not give in to the fate of the brand-new new era women. This article discusses how to create this unique female image by singing through the analysis of Nie Er’s lyric song “Mei Niang”.