日落月升,春来冬去,世间万事万物都无法摆脱那永恒的归宿——死亡。世间最痛苦的,最残酷的莫过于面对最终归宿所做的无能为力的努力。马纳穆诺在《牛命的悲剧意识》中就指出“永恒,这是人类最终极的欲求,也是人类生命悲剧的根源”。戏曲艺术也有属于它自己的生命轨迹,它有过昔日青春的闪光,也有今天暮年的叹息,它决不会象人们所期望的那样,重振明清时代的辉煌,诞生出《牡丹亭》 As the sun goes down and spring comes, all things in the world can not get rid of the eternal home-death. The world is the most painful, the most cruel than in the face of the final result of helpless efforts. In his “Tragic Consciousness of Beef Life”, Manamoulun pointed out that “eternity, which is the ultimate human desire, is also the root cause of the tragedy of human life.” The art of opera also belongs to its own path of life. It has the flash of youth in its past and the sigh of twilight. It will never revive the glory of the Ming and Qing Dynasties and give birth to the “Peony Pavilion” as people expected.