论文部分内容阅读
由姚伶,荆生彦设计的《游西湖》“鬼怨”唱腔,二十多年来在群众中广为传唱,甚为秦腔爱好者所称道,成为秦腔音乐大胆创新的精采唱段之一。这段唱腔,旋律跌宕多姿,节奏变化丰富,板式安排合理,结构层次鲜明,为秦腔音乐改革开创了一个较为成功的先例。清代戏曲理论家李渔说过“开卷之初,当以奇句夺目,使之一见而惊,不敢弃去。”这段唱腔开头两句:“怨气腾腾三千丈,屈死的冤魂怒满腔”语言生动,感情奔放,并具有强烈的浪漫主义色彩,表现了剧中主人公对残暴的
Designed by Yao Ling and Jing Sheng-yan, the “Ghost-resentment” tour of “West Lake” and “Ghost-resentment” has been widely sung by the masses for more than 20 years. It is also praised by fans of Shaanxi Opera as one of the splendid aria of bold and innovative music in the Shaanxi Opera. This singing, melodious ups and downs, rich rhythm, rational arrangement of the plate, the structure of distinct levels, for the Qin music reform has created a more successful precedent. Li Yu, a theorist of the Qing Dynasty drama, said: “At the beginning of an open book, when you start with an odd sentence, make one see and scare you and never dare to give up.” At the beginning of this singing, two sentences: "Complaints of grievances, Vivid language, unrestrained feelings, and has a strong romantic color, the performance of the hero of the play on the brutal