正如奥尔德里奇所说:“在某种重要的意义上,房屋的用途不同于桥梁、汽车和罐子、盘子的用途”。在生活中,我们在看到一片非常美妙的景致时,常常会脱口而说它像一幅画,但作为一名画家,如果真的照生活中的原样把它画出来,就往往会令人失望。所以,发现同处的不同,才是真正的慧眼;提炼美中的美才是真正的创作。读了林鸰的画,我自然地想到了这些。熟悉中国画的人都知道,任伯年与吴昌硕同属近代画坛的大师,通常的说法是任胜在工,吴胜在写,其实,就写而言,吴昌硕当然不容置疑,但任伯年的最大成就窃以为不光在工上,而在于带有写意的作品。 As Aldrich put it: “In an important sense, the uses of houses differ from the uses of bridges, cars and jars, and plates.” When we see a very wonderful scene in our life, we often blurt out that it is like a painting, but as an artist, if we draw it as it is in life, it will often make people Disappointed. Therefore, it is the real wisdom to find the difference between the same place and the essence of beauty in the United States. When I read Lin’s paintings, I naturally thought of these. People familiar with Chinese painting know that Ren Bainian and Wu Changshuo both belong to the masters of the modern art circles. The usual argument is that Ren Sheng is working and Wu Sheng is writing. In fact, Wu Changshuo certainly has no doubt about it. However, Achievements stolen thought not only in the work, but in the freehand work.