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暑假档即将上映和已经上映的两部片子《开心超人》和《魁拔2》,它们带出了两个话题:电视与电影的关系、观众年龄是否需要分级。《开心超人》的黄伟明导演是喜羊羊之父,在电视系列片上有很多年的实战经验并且成果颇丰;《魁拔》的王川导演是中国年龄差异化的动画电影第一人,他所面对的新挑战也是值得深究。在2013年的暑假档中,这些风格各异的动画作品他们在创作上、市场定位上和受众思考上会有怎样的想法?国产动画目前面对像皮克斯、梦工厂出品的美国动画大片时,他们又如何生存和看待的?动画态度沙龙第三章,来谈谈中国动画导演俱乐部的导演们他们对于作品的思考。
The upcoming two summer films and the already released two films, “Happy Superman” and “Qu Bo 2,” bring out two topics: the relationship between television and movies, and the audience’s age needs to be graded. Happy Wendy’s director Huang Weiming is the father of the Pleasant Goat, and has many years of practical experience in the television series and has achieved fruitful results. The director of Kui Pu is the first Chinese animated movie with different ages. The new challenge is also worth exploring. In the summer of 2013, these animated works of different styles will have their ideas in terms of creation, market positioning and audiences thinking. Domestic animation is currently facing American animation blockbusters like Pixar and DreamWorks, How they live and treat? Animation Attitude Salon Chapter III, to talk about the director of China Animation Directors Club who they think about the work.