看麦克尤恩的《阿姆斯特丹》,有一些零碎的细节颇有趣味,是关乎通感的。主角克莱夫是个音乐家,他的脑海里常常有起伏的旋律,但令人感到奇妙的是,麦克尤恩可以直接用视觉印象来析出这些乐符。“这正是克莱夫为短笛所谱写的一组转音啊,音乐展现在他面前,那是一段展开的梯子,从阁楼的地板或屋顶的活门滑行着降落下来,他听到了,捕捉到 Look at McEwan’s ”Amsterdam“, some fragmentary details are interesting, it is about sense of sympathy. Clive, a protagonist, is a musician who often has ups and downs in his mind, but, surprisingly, McEwen can visualize these symbols directly. ”This is exactly what Clive wrote for Piccolo, a set of turn-taking sounds in front of him, a stretch of ladder that lands on the floor of the attic or the sliding door of a roof, and he hears, catches To