论文部分内容阅读
共此时这是法国著名艺术家菲利普·帕雷诺在中国的首次个人展览。在美术馆的建筑空间与功能之间的对话中,展览通过对时间、空间、光影、声音等媒介出人意料的运用,改变了建筑环境的当下存在,使之成为一个半自动的木偶,一种恒动的状态,美术馆空间的成规被帕雷诺颠覆。依靠对光、影、时间的拿捏,帕雷诺将引导观众在一个不断演化的空间内行走,并将观众带入一系列探讨身体、情感和观念的矛盾想法中,从而模糊了现实与虚构的界线;反过来又创造了一个无穷可能性的世界。
At this moment, this is the first solo exhibition in China of the famous French artist Philippe Renault. In the dialogue between the architectural space and function of the art museum, the exhibition has changed the present existence of the building environment through the unexpected use of time, space, light and sound and other media to make it a semi-automatic puppet, a kind of constant motion The state of the art gallery space was subverted by Pareno. By leveraging light, shadow, and time, Parnault will guide the viewer through an evolving space and bring the viewer into a series of contradictory ideas about body, emotion and perception, blurring the line between reality and fiction ; In turn, created a world of infinite possibilities.