《野山》中的换妻,看来有点不可思议,近乎『荒诞』但却有很深的蕴籍。它告诉人们,改革的今天,要紧的是『换思想』。要致富,首先要把封闭式小农思想换成开放式新型农民思想;要把封建残余的夫权思想以及旧的婚姻伦理道德观代之以社会主义的婚姻道德。灰灰和桂兰、禾禾和秋绒的破裂象征着这种变换。而『换妻』的结局:禾禾和桂兰的结合是对落后保守小农思想的冲击,是对旧道德伦理观的挑战。这就是『换妻』的道德力量之所在。它是新旧两种思想、两种力量的搏斗,是时代的呐喊。 It seems a little weird, almost “absurd,” but there is a deep connotation. It tells people that the key to today’s reform is “changing thinking.” To become prosperous, we must first replace the thinking of small-scale peasants with the idea of ​​an open new peasant; we should replace the feudal remnants of the husband’s rights and the old ethics of marriage with socialist marriages. Gray-gray and Gui-lan, Wo Wo and autumn velvet rupture symbolize this transformation. The outcome of “wife changing” is that the combination of Wo He and Guilan is the impact on backward thinking of conservative small farmers and a challenge to the old moral ethics. This is where the moral force of “changing wife” is. It is the old and new ideas, two kinds of forces fighting, is the cry of the times.