那么重、那么轻的日本电影两部松竹映画,横跨半个世纪,小津安二郎和山田洋次导演将“日本家族瓦解”这一不变命题放在变化的社会中,揭示了日本现代社会的问题和日本普通人的性格,尤其是日趋严重的老龄化和临时雇佣制导致这一命题变得复杂化。 So heavy, so light Japanese film two Shochiku mapping, half a century, Ozu Yasujiro and Yamada-yang director will be “Japanese family disintegration ” this invariant proposition in a changing society, revealed the Japanese modern The issue of society and the character of ordinary people in Japan, especially the increasingly serious aging and temporary employment systems, complicate the proposition.