在人与自然的关系上,中国古典美学形成了天人合一的审美观念和主体间性的哲学思维。在此境界中,世界是人的交往主体,审美是自我主体与他我主体交互感应的结果,自我与他我互相尊重,交融契合,彼此无间。这一主体间性思维在明末清初戏曲家李渔那里,成为一种自觉追求。李渔《闲情偶寄》除关涉戏曲理论 In the relationship between man and nature, the classical Chinese aesthetics has formed the aesthetic conception of harmony between man and nature and the philosophical thinking of intersubjectivity. In this realm, the world is the main body of human interaction. Aesthetic is the result of interaction between self-subject and his or her subject. Self and self-respect each other, blending and matching each other. This intersubjectivity in the late Ming and early Qing Dynasty opera singer Li Yu, become a conscious pursuit. Li Yu “Leisure Feelings” in addition to the drama theory