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中国戏曲是一门集唱念做打于一身的综合艺术,精心塑造人物形象是它的核心,作为地方戏曲艺术的河北梆子亦如此。在它漫长的形成和发展过程中,塑造了千千万万各具风采的动人的人物形象,因之使我们的戏剧艺术画廊丰富多彩,熠熠生辉。 我从小痴迷戏曲,在近20年的艺术生涯中,演出了近百出戏,塑造了穆桂英、王玉莲、西施等众多性格迥异的古代女性人物形象,在艺术创造中,我学到很多东西。 “魂归”是青年作者王新生新创的大型古代戏《浣纱女》的最后一场。虽然也是写美女西施戏,但作者却另辟蹊径,通过美女西施入吴,十载悠悠岁月中,与深爱她的吴王产生了感情,到最后梦断苎萝、香消玉殒的悲
Chinese opera is a comprehensive art of singing and playing all together, and it is the core of its elaborate characterization. The same is true of the Hebei clapperboard as a local opera art. In its long process of formation and development, it has created thousands of touching figures with colorful features that make our dramatic art galleries rich and colorful. Since I was a child, I was a fan of drama. During the nearly 20 years of my career, I have performed nearly 100 plays and created many ancient female figures with different personalities such as Mu Guiying, Wang Yulian and Shih Tzu. I learned a lot in artistic creation. Soul of the Soul is the last of the large-scale ancient drama Huan Sha Nv created by young author Wang Xinsheng. Although the beauty is also a beautiful Shih Tzu, but the author is another way, through the beauty Shi Shi Wu, ten years long, and love her the king of Wu had feelings, to the end of the dream of broken razor,