论文部分内容阅读
看了兰州军区话剧团来京演出的《未完成的攀登》(编剧:张即黄、傅超、赵玉林;导演:陈坪、吕志斌),未曾料想,编导的艺术处理,演员生动的表演,竟然使这台以华山抢险英雄事迹为背景的话剧有了扣人心弦的戏剧性。我们看到的不是事件的铺陈,而是性格的展示,内心世界的开掘,矛盾心理、道德的冲突。这部带有思辩性的戏虽有不少哲理性的探讨和论辩,因为谈的不是个人生活琐事,而涉及到当代青年最敏感的问题——人生的价值,是献身还是索取,是忘我还是为我,就有了特殊的吸引力和深度。戏剧艺术的魅力往往来自性格的真实性。剧中那
After watching the “Unfinished Climbing” of Lanzhou Military Region Repertory Theater performing in Beijing (screenwriters: Zhang Jihuang, Fu Chao and Zhao Yulin; director: Chen Ping and Lv Zhibin), they never imagined that the director of art processing, the lively performances of actors, Even this station to Huashan heroic deeds as the background drama drama with exciting dramatic. What we see is not the distribution of events, but the display of personality, inner world digging, ambivalence and moral conflicts. Although this philosophical drama has many philosophical discussions and arguments because it is not a matter of personal life, it refers to the most sensitive issue of contemporary youth - the value of life, whether it is devotion or solicitation, self-indulgence or not For me, there is a special attraction and depth. The charm of theatrical art often comes from the authenticity of character. That drama