论文部分内容阅读
老友李尧坤有新作《戏曲探索五十年》问世,可喜可贺。书名是一种谦称。尧坤是浙江省文化艺术研究院的一位资深研究员、戏曲理论研究家,著作甚丰,曾先后出版专著《浙江当代戏曲作家论》、《戏曲创新新探》、《寻寻觅觅——戏海拾贝》。研究造诣甚深,却自称是寻寻觅觅在进行探索,多方寻求答案,解决疑问,试图发现戏曲中尚不清楚的事物与情况,这种虚怀若谷的精神,很值得学习。他论文中的第一篇《谈新神话剧的创作问题》,写于1959年,当时他还是一名中国戏曲学院的研究生。距今已五十六年,泛称五十年,是一种
Li Yao-kun, an old friend, has a new work “Fifty Years of Exploring the Opera”. Title is a modest name. Yao Kun is a veteran researcher and opera theory researcher of Zhejiang Academy of Culture and Art. He has authored many works such as Zhejiang Contemporary Drama Writers Theory, New Exploration of Drama Innovation, Searching for Find - Drama Sea pick shell. “ The research is very accomplished, but claiming to be searching for things to explore, seeking for answers in multiple ways, solving problems and trying to find things and circumstances that are not yet clear in the drama. This spirit of emptiness is worth learning. His first essay, ”On the Creation of New Mythology," was written in 1959 when he was a graduate student at the Chinese Academy of Drama. Fifty-six years ago, a total of 50 years, is a kind