《项链》中的悲喜剧西方的文学,尤其是戏剧与小说,在内容上比较广泛地涉及了法律与法律精神,甚至以它们为主要书写对象。如今看来,这类经典化的书写,似乎更典型地存在于19世纪。那些年代的西方作家,也多有法学的背景。以法国为例,年轻的巴尔扎克、雨果、梅里美、福楼拜等,都或深或浅地做过法律门下的学子,也因法律的无可回避,这些“准法律人”与“类法律人”的恢弘之笔都顺理成章地触及了沉甸甸的法律。 The tragedy and comedy in the “necklace” Western literature, especially drama and novels, involves the law and the law more extensively, even taking them as the main object of writing. It now appears that such classic writing seems to be more typically found in the 19th century. Western writers of those years also had a more legal background. In France, for example, the young Balzac, Hugo, Merrima, Flaubert, etc., either under the law or deep or shallow students, but also because of the law can not be avoided, these “quasi-legal person” And “type of legal person ” the grand pens are a matter of course, touched the heavy law.