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贾平凹20世纪70年代的创作视角如正值风华正茂的自己一样,明澈、灵动,用如儿童般纯净的双眼打量这个世界,对他所凝视的一切都满怀着真挚、热情。在人们还在试图用伤痕文学和反思文学抚平历史的创痛时,贾平凹已怀着对乡土中国的无限依恋,唱起明朗欢快的赞歌。此时,他出版了第一本短篇小说集《山地笔记》。故事均是发生在群山萦绕、流水淙淙、炊烟袅娜的山区。贾平凹聚焦于那些普通人物身上闪耀的人性的灵光。像《满月儿》中,满儿腼腆羞怯,月
Jia Ping-tao’s creative perspective in the 1970s, like his own ascended pride, is clear and agile. He looks at the world with pure eyes like children and is full of sincerity and enthusiasm for everything he gazes at. While people are still trying to heal the pain of history with wound literature and reflective literature, Jia Pingwa has singled out a bright and cheerful hymn with his infinite attachment to native China. At this point, he published the first collection of short stories “Mountain Notes.” The story is happening in the mountains lingering, sluggish water, smoke, smoke-na mountain. Jia Pingwa focuses on the human light that shines on ordinary people. Like “full moon child”, full child 腼 腆 shy, month