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17集电视连续剧《苍天在上》’95岁末’96年初在中央电视台第一套黄金时间播出后，引起了电视剧界和广大观众的热情关注。这部戏情节线索丰富，人物关系错综复杂，矛盾尖锐、突出；以戏剧性的外包装深深吸引住观众的收视心理，向人们揭示了“反腐倡廉”这一当代社会重大命题，既撼人心魄，又引人深思。有专家评论，《苍天在上》具有政治上的警世意义和艺术上的示范意义。可以说，《苍》剧为当代题材电视剧的创作竖立了新的坐标系。 最近，《苍》剧的主创人员，著名作家、编剧陆天明，曾执导过《末代皇帝》、《离别广岛的日子》等成功电视剧的导演周寰，接受了本刊特约记者采访。他们结合《苍天在上》的创作，分别从选材、主题、具体拍摄手段以及传播效果上对当代题材电视剧的艺术创作规律和目前存在的问题进行了颇有见地的探讨。
17 sets of TV series “heaven on the” 95 the end of the ’96 early CCTV prime prime time aired, aroused the enthusiasm of the TV drama world and the general audience. This episode is rich in clues, the characters are intricate and contradictory, with prominent contradictions. With the dramatic packaging, the spectator’s audience psychology is deeply attracted, revealing the important proposition of “fighting corruption and advocating integrity” as a contemporary society, , But also thought-provoking. Some experts commented that “heaven is in heaven” has the political sense of alertness and artistic demonstration. It can be said that “Cang” drama erected a new coordinate system for the creation of contemporary theatrical dramas. Recently, Zhou Huan, director of the successful drama series such as “Cang” drama creator, famous writer and screenwriter Lu Tianming, who directed the “Last Emperor” and “Parting Day in Hiroshima,” interviewed our correspondent. In combination with the creation of “heaven is in the sky”, they made a rather insightful discussion on the law of artistic creation and the existing problems of the current thematic TV series from the material selection, the theme, the specific shooting means and the dissemination effect.