陈墨龙喜欢画荷花,他偏爱“小荷才露尖尖角”的初夏荷塘,站在他的画前,深吸一口气,似乎空气都变得湿润了。陈墨龙的画不像画在宣纸上,倒像画在玻璃片上,似乎都不用迎着光,平摊开就能透出亮来。不由得想起北宋沈括的《图画歌》:“江南董源传巨然,淡墨轻岚为一体。”墨在他的笔下似有无穷变数,轻轻晕染,画面风雨欲来。陈墨龙喜欢画荷花,他偏爱“小荷才露尖尖角”的初夏荷塘,站在他的画前,深吸一口气,似乎空气都变得湿润了。 Chen Moulong like to draw lotus, he prefers “Lotus early cusp ” early summer Lotus pond, standing in front of his painting, take a deep breath, it seems that the air has become moist. Chen Mo-long’s paintings are not painted on rice paper. Instead of painting on glass, it seems that they all do not have to greet the light. Can not help but think of the Northern Song Shen Kuo’s “Picture Song”: “Jiangnan Dong Yuan Chuan huge, light ink Qinglan as one.” “Ink in his pen seems infinite variables, gently blooming, the picture stormy. Chen Moulong like to draw lotus, he prefers ”Lotus early cusp " early summer Lotus pond, standing in front of his painting, take a deep breath, it seems that the air has become moist.