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从本世纪90年代开始,芝加哥交响乐团便已进入了自己发展的第二个百年。此时的乐团已在世界音乐圈内享有崇高的声誉,无论在国内还是国外,乐团的演出总是受到爱乐者的热情欢迎,乐团那些畅销的录音唱片继续在赢得国际性的大奖,在美国国内,有几百万人在收听着无线电广播中的乐团的声音。 1991年9月,芝加哥交响乐团开始了和自己历史上第九位音乐指导的合作,此人便是出生在阿根廷布宜诺斯艾利斯、受教育于以色列的著名钢琴家、指挥家巴伦博伊姆。巴伦博伊姆的任期因以下几种因素而显得独具特色:一是芝加哥新交响中心的落成使用;二是3部莫扎特歌剧的上演受到广泛而高度的赞扬;三是巴伦博伊姆作为技艺精湛的演奏家与修养深厚的指挥家的双
From the 90s of this century, the Chicago Symphony Orchestra has entered its second century of development. The Orchestra at this time has enjoyed a high reputation in the world’s music scene. The performance of the orchestra is always warmly welcomed by the musicians, both at home and abroad. The best-selling recordings of the orchestra continue to win international awards in the United States Millions of people in the country are listening to the orchestra’s voice on radio. In September 1991, the Chicago Symphony Orchestra began its collaboration with the ninth music instructor in his history, born in Buenos Aires, Argentina, educated in Israel’s famous pianist and conductor Barron Boim. Barenboim’s tenure is characterized by several factors: first, the completion of the new symphony center in Chicago; second, widespread and high praise of the staging of the three Mozart operas; third, the Barenboim As a virtuoso virtuoso virtuoso and cultivate a deep conductor double