书画流传,有赖于历代官、私收藏。帝王有丹青之癖,可倾一国之力,四海收揽,汇集禁中。然此举有利有弊:利者,所藏书画,可得珍护;弊者,当其国祚告终,名迹往往毁于战乱。私家收藏,虽亦聚散无常,因其存于民间,便宜流通,不尽有覆巢之患。有清一代,吴中世家大族,珍藏书画者众多。以声名论,恐无逾过 Circulation of calligraphy and painting, depends on the ancient official, private collection. The emperor has a Danqing of the infatuation, can dump the power of one country, universal acceptance, bringing together the ban. However, the move has both advantages and disadvantages: those who benefit from the collection of paintings and calligraphy can gain precious care; and those who make up for their country are often destroyed by the war. Private collections, although also gathered together impermanence, because of its existence in the private, cheap circulation, not all over the nest suffer. Qing generation, Wu family monks, many collection of calligraphy and painting. To fame, fear no more than