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前年夏天,有一个和我熟识的青年演员,分配工作后不久,从外地来郑州找我,说人家剧团不欢迎他,要求给他重新介绍工作。这件事引起了我的深思。按理,十年浩劫后,各剧团都青黄不接,增添了新人,自然是求之不得,怎么不欢迎他呢? 原来,这位青年在学校是学老生的,后来嗓子倒了仓,别的行当又没有学,他学戏时基础打得也差。如今,老生他不能唱,别的行当他又不会,一个演员上不了台,剧团怎么会欢迎呢?应该说,这个青年是吃了戏路太窄的亏。假若他的戏路宽一些,学的多一些,一定不会有这样的苦恼。
The year before last summer, there was a young actor familiar with me. Shortly after my assignment, I came to Zhengzhou from the outside to find me, saying that people in the theater company did not welcome him and asked him to reintroduce the work. This incident aroused my deep thought. Logically, ten years after the catastrophe, the troupes are blue and yellow, add new people, naturally can not, why not welcome him? It turned out that the youth in school is an old student, and later throat down the warehouse, other business and did not learn He played badly when playing base. Now, he can not sing the older generation, he does not want to do other businesses, and an actor can not get on the stage. How can the theater company welcome it? It should be said that this young man ate the drama of too narrow a loss. If his play path wider, learn more, there must be no such distress.