《雷雨》已经经典了几十年了,不同的艺术家有不同的“复述”方式。我看的是中国青年艺术剧院的最近演出。演出内容与原作并无大的出入,值得一提的是它独特的处理方式。在只点了几只蜡烛的阴森森的舞台上,一位衣冠不整,蓬头垢面的老人,拿了鸡毛掸子,佝偻着背,碰碰敲敲,眼睛里泛着湿漉漉的光,面朝观众:“什么——?你说什么——?这屋子里,闹鬼——?”他诡异一笑,“是闹鬼啊,那个时候,老爷还在矿上——”很显然,导演将这段鲁贵讲给四凤听的关于蘩漪和周萍的丑闻,搬到了全剧的开头。并用一种叙述陈年往事的语气来讲述这个众所周知的大家庭悲剧,给整部话剧带来一种浓浓的怀旧色彩。 “Thunderstorm” has been classic for decades, and different artists have different “retelling” methods. I see the recent performance of the China Youth Art Theatre. There is no major difference between the content of the performance and the original work. What is worth mentioning is its unique treatment. In a gloomy stage where only a few candles were lit, a well-dressed, unkempt old man took a feather duster, licked his back, knocked and knocked, and his eyes were wet with light, facing the audience: "What? ——What did you say?? In this room, haunted??” He smiled. “It was a haunted man. At that time, the lord was still at the mine.” Obviously, the director told this piece to you. The scandals concerning Yan and Zhou Ping moved to the beginning of the entire play. In a tone that describes the past, I tell the well-known tragedy of the big family and bring a deep nostalgic color to the entire drama.