东汉佛典所载音乐材料,显示了古代印度宫廷乐舞、仪仗音乐与佛法音声的某些特征,体现了原始佛教对佛法音声与俗世乐舞的基本态度,表明原始佛教音乐与世俗乐舞仍处于相互独立的状态,同时也在某些方面显示出佛教音乐与中土音乐相互融合的迹象,拉开了佛教音乐与中国古典音乐在碰撞中相互融合的序幕。 The music materials contained in the Eastern Han dynasty Buddhist scriptures show some of the characteristics of the ancient Indian courtroom dance, ceremonial battle music and Buddhist phonology. They reflect the basic attitude of the primitive Buddhism to the phonetic sounds of Dharma and secular music and dance, indicating that the original Buddhist music and secular music and dance are still independent of each other State, but also in some ways shows the integration of Buddhist music and soil music signs, opened the prelude to the integration of Buddhist music and Chinese classical music in the collision.