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民国成立后的最初十年,黑龙江地区的戏曲发展进入到一个新的阶段。这个新阶段的主要标志是河北梆子和京剧两大剧种的角逐、争风,从而掀起黑龙江地区演剧史上的第一浪潮。清末,河北梆子的势力已遍布黑龙江地区的大小城镇,迨至民初,由河北、天津、辽宁等地取道北进的河北梆子艺人又形成一股潮势。这里要格外提及的是,清末曾进入黑龙江地区的女伶,在这阶段相继重返黑龙江。这时,她们都已长大成人,艺术上出落得饱满
In the first decade after the founding of Republic of China, the development of opera in Heilongjiang Province entered a new stage. The main hallmark of this new stage is the competition and clashes between the two operas in Hebei and Peking opera, which set off the first wave in the history of drama in Heilongjiang. At the end of the Qing Dynasty, the forces of Hebei prickly heat had spread across the size of towns and cities in Heilongjiang Province. From the beginning of the Qing Dynasty to the beginning of the Republic of China, Hebei princes and artists from north Hebei, Tianjin and Liaoning took a tidal wave again. What should be mentioned here in particular is that the actresses who entered the Heilongjiang area in the late Qing Dynasty returned to Heilongjiang one after another at this stage. At this time, they are all grown up and their art is full