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中国古代书画与近现代书画一般以清末为分界线,业内则以书画大家吴昌硕作为起止点,即吴大师之前的书画为古代书画,之后的则为近现代书画。由于年代之远,鉴别起来相对较难,古代书画一直少人问津。2006年以前,其价位被严重低估,以致出现古代书画价位不如当代书画的奇怪现象。但古代书画真品是中国书画作品中的精华,随着收藏者鉴赏能力的提高,其艺术和收藏价值逐渐地显现出来。2007年以后,追捧古代书画的藏家越来越多,其价位也直线飚升,
Chinese ancient calligraphy and painting and modern calligraphy and painting in the late Qing general as the dividing line, the industry is to calligraphy and painting Wu Changshuo as a starting point, that is, Master Wu’s painting and calligraphy for the ancient calligraphy and painting, followed by the modern calligraphy and painting. Due to the age, the identification is relatively difficult, ancient calligraphy and painting has been less people interested. Before 2006, its price was seriously underestimated, resulting in the price of ancient calligraphy and painting is not as strange as the contemporary painting and calligraphy. However, the ancient painting and calligraphy is an essence of Chinese painting and calligraphy works. As the collectors’ appreciation ability increases, the value of art and collection gradually emerges. After 2007, there are more and more collectors who are pursuing ancient paintings and calligraphies, and their prices have soared in a straight line.