近几年来,傩风很盛。我省众多的专家、学者,为此而写出了一批很有学术价值的论文,为我们进一步探讨、研究贵州省有关民族的傩文化,做了大量的、有益的工作,但在研究中,有少数同志由于调查了解不够,其论述不免也有偏颇之处,如《布依傩戏探秘》一文。(以下简称《秘文》。见《贵州民族研究》90年第一期)。对于傩文化,笔者纯属门外汉,更谈不上有什么研究,只是生活在黔西南地区近甘年,因工作之便,曾对有关史料和布依族的有关传统文化,有过一些接触。从争鸣的目的出发,笔者不揣冒昧,借此也谈谈“布依傩” 与“布依戏”的问题,并对《秘文》的某些引证和举例,略陈拙见,敬祈指数。 In recent years, the wind is very Sheng. Many experts and scholars in our province have written a series of papers of great academic value for this purpose. They have done a great deal of useful work for us to further explore and study the national culture of Guizhou Province. However, , A small number of comrades can not but be biased because of their inadequate understanding of the investigation. For example, the article “Quest for Buyi Nuo Opera.” (Hereinafter referred to as “the secret.” See “Guizhou Ethnic Studies” 90 first period). For the sake of culture, the author is purely a layman, let alone any research, but living in the southwestern region of Guizhou nearly Gan years, because of his work, had relevant historical data and Buyi ethnic traditional culture, have had some contact. Starting from the purpose of contending, the author does not try to figure out what it takes to make ends meet. It also talks about the issue of “Buyi 傩” and “Buyi Theater.” Some quotations and examples of “Secret Letters” are somewhat clumsy and respectful.