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把傩戏和傩文化做为崭新的学科进行研究,掐指算来,不过七八个年头。在这短短的时间里,全国傩戏学者作了大量的考察与研究工作,论文与文章有一千多篇,出版著作三十多种。除湘、桂、徽、黔等地召开了各种研讨会外,从1990年到1993年的四年时间里,连续在晋、湘、桂和香港召开了四次国际学术研讨会,这在我国人文学科的众多领域里,没有先例,简直可以说是个奇迹。近年来,经中央文化部的批准,中国戏剧家协会、中国傩戏学研究会与台湾清华大学王秋桂教授合作,制定了《中国地方戏与仪式之研究》科研工程,组织了全国十多个省、区的三十多名学者,进行广泛、深入的田野考察,第一
The Nuo opera and Nuo culture as a new discipline to conduct research, pinch refers to count, but seven or eight years. In this short period of time, the country’s opera scholars made a great deal of investigation and research work, with more than a thousand articles and articles and over 30 kinds of books. In addition to the various seminars held by Hunan, Guangxi, Anhui, Guizhou and other places, four international academic seminars were successively held in Jin, Hunan, Guangxi and Hong Kong from 1990 to 1993, There are no precedents in many fields of humanities in our country. It is a miracle. In recent years, with the approval of the Central Ministry of Culture, the Chinese Dramatists Association and the Chinese Theater Research Association, in cooperation with Professor Wang Qiu-gui of Tsinghua University in Taiwan, formulated the research project of “Research on Chinese Local Opera and Rituals” and organized more than 10 provinces , More than 30 scholars in the district conducted extensive and in-depth field visits, first