曹禺戏剧中的人物形象往往呈现出较为鲜明的性格特质。他们大多都个性鲜明、敢爱敢恨。充满悖论意义的是,戏剧人物中的两性形象建构也特别引人注目。以周萍、方达生、焦大星和曾文清为核心的男性形象群和以花金子、愫方、繁漪为代表的女性形象群形成了鲜明对比。他们的性格不仅源自戏剧文本的需要,更是在体现了精神分析视角下的“无意识”与“意识”之间的二元对抗框架。这源自曹禺本人的成 The characters in Cao Yu’s plays often show distinctive personality traits. Most of them are distinctive, dare to love and hate. Paradoxically, the construction of gender images in dramatic characters is also particularly noticeable. The group of male figures with Zhou Ping, Fang Dasheng, Jiao Daxing and Tseng Wen-ching as their core forms a sharp contrast with the group of female figures represented by Hua Jin Zi, Fang Fang and Fan Yi. Their character not only originated from the needs of drama text, but also embodies the framework of dual antagonism between “unconscious ” and “consciousness ” from the perspective of psychoanalysis. This comes from Cao Yu himself