在六十年代末,苏联的舞台美术处于先锋行列,也许,这是因为主管艺术的领导们对戏剧美术家不感兴趣。因为戏剧美术工作者在文化部和美术家协会中不过是次要的小人物,他们在官方的美术展览会上一般只占有很小的陈列空间,权威们的注意力被雕塑、素描和版刻所吸引。因而,戏剧美术工作者们处于“舒适的”境况中。剧院是他们的屏障,这就是该职业的境况。不仅如此,在舞美设计者与观众之间还站立着剧作家、导演和演员。舞美设计 In the late 1960s, the stage art of the Soviet Union was pioneer, perhaps because the leaders in charge of art were not interested in theatrical artists. Because theatrical and art workers are but a minor villain in the Ministry of Culture and Artists Association, they generally represent only a small amount of space for exhibitions at official art fairs, and the attention of the authorities is sculptured, sketched and engraved attract. Thus, theater artists are in a “comfortable” position. Theater is their barrier, this is the situation of the occupation. Not only that, there is a playwright, director and actor standing between the designer and audience. Wu Mei design