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十年前,在美工作两年返乡的贵州艺术家宋培伦自己投资自己设计自己组织施工,选中高原明珠花溪西南5公里处一片喀斯特荒山破石建园之际,没有奢望这件新作品会引人注目,尽管在遗之前他在贵州首开先河创建的生态民俗文化观光景点花溪画家村、灵山艺术度假村(俗称“鬼城”) 早已引来中外游客如潮好评。十年后,当这个占地三百多亩初具规模的夜郎主题生态雕塑公园呈现在中外游客面前时,他再次为各界人士不绝于耳的赞誉所包围,可他依旧不为近利所动置身于山石林木中倾心将儿时便已萦绕在心头的夜郎之梦打造成世人可知可感的夜郎印象,并不时受一些地方政府乏托探寻开发与保护的和谐之道。
Ten years ago, Song Peilun, an artist from Guizhou who returned home two years ago in the United States, did not expect the new work to attract the spotlight when he invested himself in designing his own organization and building a karst barren rocky park five kilometers southwest of the Pearl of the Highlands. Despite the legacy of Huaxi Painter Village, an eco-folk cultural sightseeing site first opened in Guizhou before his death, Lingshan Art Resort (commonly known as “Ghost City”) has long attracted the attention of Chinese and foreign tourists. Ten years later, when the 300-hectare Yelang Primitive Eco-Sculpture Park covering an area of 300 mu was presented to Chinese and foreign tourists, he once again encircled the praise of people from all walks of life, Enthusiasm in the mountains and trees will be haunted in childhood when the Yelang dream built into the world can be perceived as Yelang impressions, and from time to time by some local government to explore the lack of harmony between development and protection of the road.