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不管戏剧家们愿意不愿意。话剧艺术还是被无情地卷进了商品大潮之中。于是,从“计划经济”走出来的话剧如何适应今天的演出市场便成为戏剧工作者不得不面对而又百般头疼的问题。然而,话剧艺术要断掉喝了几十年的“计划经济”的奶,接上“商品经济”的轨并不是件容易的事。前不久,上海青年话剧团演出的大型通俗喜剧《oK,股票》在这方面做出了可喜的尝试,因其剧本和演出的优秀一举夺得1992
Whether the dramatists would like to or not. Drama art is still mercilessly involved in the tide of goods. Thus, how to adapt to today’s performance market from the drama of “planned economy” has become a problem that the theater workers have to deal with while in every possible way. However, it is not easy for theatrical art to break the “planned economy” milk that has been consumed for decades and to connect with the “commodity economy.” Not long ago, the large-scale popular comedy “oK, Stock” performed by the Shanghai Youth Repertory Theater made a gratifying attempt in this respect, winning the title of excellent script and performance in 1992