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《楚辞》中景物描写具有三个审美形态特征:一是自然山水对诗人心灵的舒泻与治疗,加深了诗人对自然景物的亲和,使景物描写初步呈现为对象化的特征;二是诗人在面对人生困境时,总是不断通过空间的转换来缓释心灵,又使景物描写呈现为流动化的特征;三是受楚地巫觋文化的影响,自然景物与诗人感伤的心境互渗映衬、缱绻缠绵,使景物描写呈现为神灵化的特点,从而使诗歌生成为一种独特的天地神人共舞的审美境界。《楚辞》的景物描写虽总体上仍服从于诗人主体的抒情言志,尚不具有独立的审美地位,但却有其独特的审美形态价值,显示了古人山水审美意识的端倪。
The description of landscapes in Chu Ci possesses three aesthetic characteristics: one is the natural landscapes ’diarrhea and diarrhea treatment to the poets’ hearts, the deepening of the affinity of the poets to the natural landscapes and the preliminary presentation of the scene description as the characteristics of objectification; In the face of the plight of the poet, the poet constantly relieves his mind through the transformation of space and renders the description of the scene as a characteristic of fluidization. Third, influenced by the culture of witches and wilts, the mood of the natural scenery and poet’s sentiment Infiltration lining, lingering lingering, so that the description of the scene showed the characteristics of the gods, so that the poetry generated into a unique heaven and earth god of human dance the aesthetic realm. Although the description of scenery in the Songs of Chu is generally subordinate to the lyricism of the poet, it does not yet have an independent aesthetic status, but it has its own unique value of aesthetic form and shows the clue of the aesthetic consciousness of the ancients.