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近年来,日美动漫业的飞速发展为两国带来巨大的经济效益的同时,也丰富了中国青少年的精神生活和日常娱乐,然而中国国产动画的一蹶不振不仅无法满足国民对优质动画的需求,也无法使动漫业作为文化产业增收本国效益,难以抵挡大量异国动画的不良文化渗透。“物哀情结”作为日本本土精神意识和思维意识,不仅脱离了美式动漫的浅显,更体现了日本民族独一无二的民族气质。本文着重研究“物哀”在宫崎骏动画中的体现,就其成功为中国动漫发展提供一条新的道路——探寻一条具有本民族特色的道路,在继承的基础上实现创新和发展。
In recent years, the rapid development of the Japanese-American animation industry has brought tremendous economic benefits to both countries. At the same time, it has also enriched the spiritual life and daily entertainment of Chinese teenagers. However, the slump in Chinese animation has not only failed to meet the demand of nationals for premium animation, It can not make the animation industry as a cultural industry to increase its domestic profits, it is difficult to resist the adverse cultural infiltration of a large number of foreign animation. As a Japanese native spirit consciousness and thinking consciousness, “sorrowful knot” not only divorced from the superficiality of American animation, but also reflected the unique national temperament of the Japanese nation. This article focuses on the manifestation of “Miracles” in Miyazaki Hayao’s animation and offers a new way for its success in the development of China’s animation industry. It explores a path that has its own national characteristics, and realizes innovation and development on the basis of succession .