四十一岁的长影厂导演陈家林,也许还不为观众所熟悉吧!两年前他的影片《飞来的仙鹤》以优美的风格和抒情的格调荣获文化部优秀影片奖。看得出这是一个有风度而又有教养的艺术家。可是我怎么也想不出,这个以追求抒情、轻快、优美,几乎可以说是以表现现代生活而获奖的年轻导演,为什么要去搞《谭嗣同》这样一个庄严、肃穆、气势宏大、难度极高的历史题材?他是怎样想的,他能驾驭这这个题材吗?影片会拍成什么样子呢? Chen Jialin, director of the 41-year-old studio director, may not yet be familiar with the audience. Two years ago, his film “Flying Crane” won the Ministry of Culture’s Outstanding Film Award in a beautiful style and lyrical style. Can see that this is a gentle and educated artist. However, I can not imagine why this young director, who is almost lyrical, lighthearted, and beautiful in her pursuit of modern life, is going to engage in such a solemn, solemn, ambitious and extremely difficult task as Tan Sitong What is his theme? How can he control this theme? What will the film look like?