实践是理论的基础,理论是实践的指导。当前,曲艺理论研究与创作表演之间存在着严重脱节,互动不够,交流不畅,特别是创作表演对于理论研究的基础性作用没有充分发挥出来。从主观方面看,部分创作表演人员缺乏一定理论视野和素养,未自觉肩负起助推理论研究的重任;一些演员习惯于口传心授式的传承,满足于前辈留下来的诀窍,不愿亦不能从曲艺理论上把握艺术精髓;少数演员一味迁 Practice is the foundation of theory, and theory is the guide of practice. At present, there is a serious disconnect between the study of the art theory and the creative performances, the lack of interaction and the poor communication. In particular, the fundamental role of creative performances in theoretical research has not been fully realized. From a subjective point of view, some of the performers lack a certain theoretical perspective and accomplishments and do not consciously shoulder the heavy responsibility of boosting theoretical research. Some of the performers are accustomed to passing on the tradition of oral tradition and are content with the know-how left over by their predecessors. Grasp the essence of art from the theory of folk art; minority actor blindly moved