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本文的研究方法以音乐民族志的视角,在人类学田野调查方法的基础上,通过深入的国内外田野考察,获得第一手研究资料,并以此作为本文研究所依据的主要材料;通过对所获取的音视频资料进行客观准确的描述和科学合理的分析,同时借助已有的历史学和人类学的研究方法与成果,将音乐与其文化背景的共生性进行阐释;运用纵横比较法,对哈尼—阿卡族阿茨咕和滇航嚓的概念、音乐本体以及期音乐文化背景进行综合比较,探求中泰哈尼—阿卡族阿茨咕和滇航嚓的差异,以及相互在音乐文化上的缺失。
The research method of this article is based on the ethnography of music, on the basis of anthropological fieldwork, through first-hand fieldwork at home and abroad, to obtain first-hand research data and use it as the main material on which this paper is based; Obtained audio and video data objective and accurate description and scientific and rational analysis, and with the help of existing historical and anthropological research methods and achievements, the symbiosis of music and cultural background to explain; the use of aspect comparison method, the Hani - Akka Azs and Yunnan Air Cha Cha concept, the music ontology and the music and cultural backgrounds for a comprehensive comparison to explore the difference between the Chinese and Thai Hani - Akka Azs and Yunnan Air Cha Cha, and each other in music and culture The lack of.