20世纪初的法国巴黎,是前卫之都,世界各地的艺术动向都能被巴黎捕获并得到反映。青年才俊从全世界慕名而来,其中不乏东方面孔。被日本人冠以“20世纪世界上最成功的日本艺术家”的藤田嗣治也在其列。1913年,26岁的藤田来到渴望已久的巴黎,随后几年他在此潜心研究绘画。20世纪20年代,他以一系列“散发着乳白色光辉的裸妇”蜚声于巴黎沙龙展,成为巴黎艺坛的宠儿。在他的笔下,“斜倚的裸妇”一次次呈现,从《横躺着的裸妇》(1922年,尼姆美术馆藏)、《有挂毯的裸妇》(1923年,京都 The early 20th century, Paris, France, is the avant-garde capital, and artistic movements from all over the world can be captured and reflected in Paris. Young talents come from all over the world, many of them oriental faces. Fujita Tsutomu, also known as “the most successful Japanese artist in the world in the 20th century” by the Japanese, is also on his list. In 1913, Fujita, 26, came to Paris, long-awaited, and spent the next few years devoting himself to studying painting. In the 1920s, he became a darling of the Parisian art scene with a series of “naked women exuding milky glow.” In his pen, “Reclining Nurse” was presented again and again, from “lying naked nurse” (Nimes Collection in 1922), “Nude with tapestry” (1923, Kyoto