论文部分内容阅读
传统中国画理论认为,写生需形、神并重,笔、墨俱佳。从语意学角度看,“写”有写真、写照、写形、写心、写神、写意等涵义,“生”有生趣、生动、生机、生意、生命、生气等涵义。受中国画改良思潮影响,“写生”在很长一段时间被狭隘化,成为“临摹”的一种对举概念,成为真实感或写实的一种指称。这一状况在20世纪50年代至70年代表现得尤为明显。当下的学术思潮趋于多元化,我们对待传统也趋于包容与理性,这一状况开始得到改善,山水画的风格意境、
Traditional Chinese painting theory holds that sketching is required, both the god and the pen are good, and the ink is good. From the perspective of semantics, “writing ” has the meaning of pictorial, portrayal, writing, writing heart, writing God, freehand writing, etc. “Health” is interesting, vivid, life, business, life, angry and so on. Influenced by the trend of Chinese painting, “Sketching ” has been narrowed for a long time to become a kind of allegation of “concept copying” and “realism” or “realism”. This situation was particularly evident in the 1950s and 1970s. The current academic trend tends to be pluralistic, and our treatment of tradition tends to be inclusive and rational. This situation began to be improved. The artistic style of landscape painting,