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中国当代审美场研究始自 80年代中后期。较早运用“场”的理论是林兴宅。而真正意义上的审美场研究 ,则是李欣复、章海荣、葛启进。上述论者对审美场的构成、审美场结构的动态性、审美场中主客体对应关系、审美场的类型、审美场效应等理论问题作了阐释。真正建立审美场理论体系的是袁鼎生。其《审美场论》从现实时空的审美场深入到了心理状态的审美场 ;对审美场的各种力作了精当的描述和剖析 ;深入论述了各对应力间的对立统一关系
Chinese contemporary aesthetic field research began in the late 1980s. The earlier use of “field” theory is Lin Hsing house. The real sense of the aesthetic field of research, it is Li Xin Fu, Zhang Hairong, Ge Qi Jin. The above commentators explain the theoretical issues such as the composition of the aesthetic field, the dynamic structure of the aesthetic field, the correspondence between the subject and the object in the aesthetic field, the type of the aesthetic field and the aesthetic field effect. Yuan Dingsheng really established the aesthetic field theory system. The “aesthetic field theory” goes deep into the aesthetic field of the psychological state from the realistic space-time aesthetic field; it describes and analyzes the various forces of the aesthetic field elaborately; and discusses the unity of opposites between each pair of stresses