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“一”与“不一”的对立统一关系 ,在哲学上深刻地揭示了自然界以及人类精神生活的辨证关系。钱钟书先生在《管锥编》中运用“一”与“不一”的矛盾法则 ,阐明了文学创作及欣赏的内在规律和审美要求 ,将哲学思辩转化为对文学艺术自身规律的研究与批评 ,得出了“一则杂而不乱 ,杂则一而能多”的结论 ,不乱之杂正是文学艺术应追求的目标。文学艺术活动是人类精神世界的重要活动范畴 ,是人的主观世界对客观世界的曲折反映 ,只有体现了其内在固有的规律 ,即一而能多 ,杂而不乱 ,才具有更高的美学价值。
The unity of opposites between “one” and “oneness,” profoundly reveals the dialectical relationship between nature and human spiritual life in philosophy. Mr. Qian used the contradictory rule of “one” and “oneness” in “Pipe Cone” to clarify the inherent laws and aesthetic requirements of literary creation and appreciation, and to turn philosophical thinking into the research on the law of literature and art itself Criticism has come to the conclusion that “one is mixed and not disorderly, the other one is mixed and the other one is mixed”. The indiscriminate combination is precisely the goal that literature and art should pursue. Literary and artistic activities are an important category of activity in the human spiritual world. They are the twists and turns of the subjective world of man toward the objective world. Only by embodying inherent laws of nature, that is, more and more without exception, can higher aesthetics value.