几年前看过长春评剧团(长春评剧院前身)演出杨廷玉编剧的《红杏出墙》,最近又看了长春评剧院演出的杨廷玉的《美神》(发表于《戏剧文学》1987年12期),深刻地感受到剧作家在艺术上不懈追求的精神,而且这种追求是面对现实、讲究实际的。从《红杏出墙》到《美神》(这中间杨廷玉还有几个戏,我没有看到),看得出剧作家一直关注着农村精神文 A few years ago saw the Changchun Pingju Troupe (predecessor of the Changchun Theater) performed the “affair” of the screenwriter Yang Tingyu, and recently read “The Beauty God” by Yang Tingyu at the Changchun Theater. (Published in Drama Literature, 1987, 12 ), Profoundly felt the spirit of playwright’s relentless pursuit of art, and this pursuit is realistic and realistic. From the “apricot wall” to “Beauty God” (in the middle of Yang Tingyu there are several drama, I did not see), we can see that the playwright has been concerned about the rural spirit