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作为客座教授到美国芝加哥大学讲课,课堂里的学生突然发问:“你们中国的瓷器为什么到现在为止一成不变?你们的瓷器来美国展览,为什么每次看都一样?你们始终是仿古,仿造你们前辈的东西,你们为什么不去创造?” 我无言以对,剥离掉古代的辉煌,四大发明的荣耀,中国的现代陶瓷艺术几乎就是一段尴尬的沉默。瓷器的魂是创新,创新首先是思维的科学,后继有人也只是单体的复制与克隆。手法技艺模式化,难以适应时代的变化和消费心理潮流的涌动。任何艺术都是随着时代前进的,“中国白”也不例外。但任何艺术的前进,都是以既有的传统艺术为基础的,没有这个基础,它就失去了前进的立足点。福建德化辛默
As a visiting professor at the University of Chicago in the United States, students in the classroom suddenly asked: “Why are your Chinese porcelain unchanged until now? Why do you always look at the porcelain exhibitions in the United States? You are always antiquity, imitating your predecessors Things, why do not you create? ”“ I am speechless, peel off the ancient glory, the glory of the four inventions, China’s modern ceramic art is almost an awkward silence. Porcelain is the soul of innovation, innovation is first of all the science of thinking, the successor of others is only a single copy and clone. Mode of artistry techniques, it is difficult to adapt to changes in the times and consumer psychology surging. Any art is advancing with the times, ”China White " is no exception. However, the advance of any art is based on the existing traditional arts. Without this foundation, it has lost its foothold on the way forward. Fujian Dehua Simmer