中国自20世纪中期出现“大跃进”后,无论搞什么都喜欢刮风,而且这种风一直刮到今天。比如在中国美术界,这些年来就一直在刮“美术与国际接轨”风,刮“美术全球化”之风。由此,营造出一种中国美术业已“与国际接轨”和“全球化”了的声势,制造出中国美术在顷刻之间,就已由“落后”和“边缘”的形态,挤进了“国际化”、“全球化”和“美国先进文化艺术”行列的神话。 Since the “Great Leap Forward” in China in the mid-20th century, China has always loved to windy whatever it is, and the wind has been blowing today. For example, in the Chinese art circle, the past few years have been blowing the wind that “art is in line with the international standards” and shaving the banner of “art globalization.” As a result, it has created a kind of momentum that the Chinese fine arts industry has become “in line with the world” and “globalized.” In a very short period of time, the Chinese art industry has been squeezed into a “backward” and “ Internationalization ”,“ globalization ”and“ American advanced culture and art ”.