伊万·金的《骆驼祥子》英译本Rickshaw Boy使老舍的作品真正走向世界,但该译本因对原作进行了大量改写而颇受争议。译者伊万·金具有多重文化身份,在其译本中既保留了较多的源语文化异质,亦有译者本土文化的移植,体现了文化的杂合性。翻译中的文化互渗、文本形象的构建等受制于权力的影响,但是译者在跨文化交流中也承担着自己的职责。译者对源语文化心理的正确感知是跨文化交流成功的关键。 English translation of Ivan King’s “Camel Xiangzi” Rickshaw Boy real Laoshe’s works to the world, but the translation was controversial because of the original rewritten a lot. Ivan King, a translator, has multiple cultural identities. He not only retains more source culture heterogeneity in his translation, but also translates the translator’s native culture and embodies the heterogeneity of culture. The mutual infiltration of culture in the translation and the construction of the textual image are subject to the influence of power. However, translators also undertake their own duties in intercultural communication. The translator’s correct perception of the cultural psychology of the source language is the key to the success of intercultural communication.