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任何艺术门类的发展都可以看作是一种新兴创作范式对旧有模式的合理性颠覆的过程,纪录片也不例外。20年来中国电视领域的发展速度是以翻番来计算的,这反映在资金上的巨额投入、电视市场的深度开掘、技术上的不断更新、观念上的持续突破等诸多方面。但由于宣教式专题片和“纪实主义”对80后90初一代电视人的深远影响,导
The development of any art genre can be regarded as a process of subversion of rationality by the emerging creative paradigm against the old paradigm, and the documentary is no exception. Over the past 20 years, the growth rate of China’s television industry has been doubled. This has been reflected in the tremendous investment in capital, the deep digging in the television market, the continuous updating of technology, and the continuous breakthrough in concept. However, because of the far-reaching influence of missionary films and “documentaryism” on TV early 1980s,