中国现代文化史上,“铁屋子”寓言是深入集体意识和文化领域的民族寓言,打破它的“闯入者”渐渐成为一种普遍的范式出现于电影中。在新文化的历史拯救陷落后,“铁屋子”寓言逐渐发生各种变形。在近年的电影中,“闯入者”这个曾经的拯救者、先觉者竟一步步堕落了。各种极具后现代意味的变体似乎更有耐人寻味的历史文化反讽性。 In the history of Chinese modern culture, the allegory of “iron house” is a national parable in the field of collective consciousness and culture. Breaking its “intruder” has gradually become a universal paradigm in the film. After the rescue of the new culture, the “iron house” allegorical gradually undergoes various transformations. In the movies of recent years, the once saved, “intruder” predecessor has fallen step by step. A variety of highly postmodern variants seem to be more intriguing and historically ironic.