这两年来,全国戏剧工作者愈来愈多地到工厂、到农村、到连队,深入群众的火热斗争,已经形成了风气。这是戏剧工作者革命化的具体表现,是革命戏剧传统的进一步发扬。早在二十三年前,毛主席在《在延安文艺座谈会上的讲话》中就号召我们:“中国的革命的文学家艺术家,有出息的文学家艺术家,必须到群众中去,必须长期地无条件地全心全意地到工农兵群众中去,到火热的斗争中去,到唯一的最广大最丰富的源泉中去,观察、体验、研究、分析一切人,一切阶级,一切群众,一切生动的生活形式和斗争形式,一切文学和艺术的原始材料,然后才有可能进入创作过程。”广大戏剧工作者遵循毛主席指出的方向向前迈进,取得了巨大的成就。现在,随着阶级斗争形势的发展,随着社会主义文化革命的蓬勃开展,特别是从 In the past two years, more and more national theatrical workers have come to the factory, and the climate has already taken shape in the fiery struggle among the rural areas, the company, and the masses. This is a concrete manifestation of the revolutionization of drama workers and is the further development of the tradition of revolutionary drama. As early as twenty-three years ago, Chairman Mao called for us in his speech at the Yanan Forum on Literature and Art: “The revolutionary Chinese literary artist and promising literary artist must go among the masses and must work for a long time Go to the masses of workers, peasants and soldiers unqualifiedly and wholeheartedly, go to the fiery struggle, and go among the largest and most abundant source of all, and observe, experience, study, and analyze all people, all classes, all the people, and all living things Life forms and forms of struggle, and all the original materials of literature and art before it is possible to enter the creative process. ”The vast number of theatrical workers has made great strides in following the direction pointed out by Chairman Mao. Now, with the development of the class struggle, with the vigorous socialist revolution in culture, especially from