“自我”是易卜生戏剧中主题观念的核心 ,也是他笔下一类主人公所竭力追寻和操持的个体存在品格。由于“自我”的超验性质及其内涵的难以穷尽 ,他所渴望企及的“自我”在其戏剧文本中往往处于悬置状态。易卜生戏剧中“自我”观念的神秘性 ,即来自“自我”意义的终极悬置 ,这些与易卜生自我主义思想密切相关 “Self” is the core of Ibsen’s theatrical theme, and also the individual existence character of the protagonists in his pen. Due to the “self” transcendental nature and its connotation difficult to be exhausted, the “ego” he longs to meet often hangs in his dramatic texts. The mystery of the concept of “ego” in Ibsen’s plays comes from the ultimate suspension of the meaning of “self”, which is closely related to Ibsen’s egoism