儿童电视剧是为孩子们拍的戏,应该讲述儿童自己的故事,还必须充满童真童趣。否则就算不上成功的儿童作品。但是我们常常会遇到另一类儿童影视作品:它们虽在讲述儿童故事,也不乏儿童情趣,却较多地涉及到成人世界问题,或者说其着眼点是围绕儿童和成人的关系来“做文章”的。这类作品的编导思路似乎在儿童世界和成人世界两极之间巡游;一方面“力图按照儿童的方式在感受和表达一切”,让作品“为儿童们所能理解并感到亲切”(拉朱姆内依语);另一方面,又有意无意地将只有成人才具备的理性思考,情感 Children’s TV plays are for children, should tell children’s own story, but also must be full of childlike innocence. Otherwise it is not a successful children’s work. However, we often encounter another type of children’s film and television works: although they tell children’s stories, but also lack of children’s taste, but more involved in the problem of the adult world, or its focus is on the relationship between children and adults to “do Article ”. The choreography of these works seems to be a parade between the children’s world and the poles of the adult world; on the one hand “trying to feel and express everything in the child’s way” and making the work “understandable and cordial to children” (Lajam Neiyi); on the other hand, they consciously or unconsciously have only rational thinking, emotion